"I mean, we heard nothing of John and Paul's songwriting ability. "You see, as far as my side of it was concerned — and all of the other engineers, for that matter — we were sort of restricted. I had been a drummer, and so I had to do that. They tried very hard to write material — I remember them writing a song about apples and oranges, which I dressed up and released as a single, and that sold about six copies. In fact, I remember recording a number — I can't now recall which one — and there had to be a drum roll, and of course he didn't have a clue what to do. "He really knew it inside out, as a player and arranger." He was a peculiar person. "In those days every prospective artist that came in had to have a recording test, and that's what we started doing as engineers, because we couldn't really cock anything up. "Although Smith was still able to dabble behind the console after moving into production, once he began working with an underground, London–based, psychedelic rock outfit known as the Pink Floyd in early 1967, he "had too many other things to worry about such as Syd Barrett". I remember them being on ["As musicians, the Floyd were capable enough, but again Nick Mason would be the first to agree that he was no kind of technical drummer. "It was superb, and you can probably imagine what a great time it was to be part of all that. He really was in control.
They had tiny little Vox amplifiers and speakers, which didn't create much of a sound at source.
"I thought I'd done my bit with them and encouraged them to produce themselves — they were producing tape loops at home and bringing them in to me — as well as to be resourceful in the studio.
Normally, each of the producers at EMI had their own assistants and they would be the ones to keep an eye on the potential talent, and that's what I was doing when one day this group with funny haircuts came in. Mr. Smith was the engineer on duty when the Beatles came into EMI studios for their first sound test, in 1962, and under company policy that meant he could stay with the group throughout its … And, having first seen the band at London's UFO Club, he also had to get to grips with their material. I wanted to set them up the way that they looked, in line with their attitude and how they approached things, and it seemed to me that they would be far happier if they were set up in the studio as though they were playing a live gig. Beatle Bios have proliferated over the years from all quarters. Still, there was something about Syd Barrett's songs that was indescribable — they were nondescript, but obviously had that Barrett magic for an awful lot of people.
On March 3rd, the world of music lost one of its pivotal figures.
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