Press question mark to learn the rest of the keyboard shortcuts But with the benefit of hindsight, it’s easier to embrace how an album that once led to Ninety minutes long, with its billowing proportions blown out in strings, horns, choirs, harp, percussion, synthesizers, reeds, bagpipes, and more, Julia Holter’s The debut album from Montreal producer Kaytranada is a shining example of dance music as more than the sum of its parts.
But keep listening, and It turns out, the incredibly personal connection that a teenage Hayley Williams of Paramore created with her fans back in the Warped Tour days—which many adult critics didn’t acknowledge at the time, as though her band’s pop-punk contained frequencies only teenagers could hear—was strong enough to last the decade and dynamic enough to grow and deepen with age and maturity. But 25 years into a career full of In 2013, when a collection of demos and rough takes credited to Jai Paul went up for sale on Bandcamp without his involvement or approval, it pushed the already reclusive pop-soul artist even more into the fringes.
Big choruses, hooks as wide as highway signs, regular percussion that could gird us from chaos. Though a record all about the vagaries of the heart may not be a new idea, in Erykah Badu’s hands, it never gets old. Here are our top 200 albums of the decade.For more about how we put together this list, read (All releases featured here are independently selected by our editors. Widely unknown gems for years (‘Funktions on the Low’ was wrongly uploaded to Limewire as Ruff Sqwad – ‘Havana’ back in day, and so it’s still often miscredited), both tracks have seen slight rediscovery over the last couple of years, with at least one of them penciled in for a reissue.Then on the other side of the coin, you have these two instrumentals, which are about as hard-bodied and lean as it’s possible to get.Released in late 2004, this was grime’s biggest hit at the time. But if it were easy, it’d remain unspoken, and Right around the time “self-care” entered the American lexicon, Jenny Hval wondered aloud on her fifth record, “What is it to take care of yourself?” As calm electronic beats turned ominous, the Norwegian musician grappled with a wide range of options, ranging from beauty rituals set by the capitalist patriarchy to her own desire to touch herself with dirty hands. But our mood was languorous; jingoism was the problem in the first place. The atmosphere was so lazy that Bejar could hardly be bothered to bring his tongue to his teeth to voice a “th” sound; as a result, he exquisitely “summed sroo the books on your shelf.”Underneath the listless arrangements, Bejar settles into his bon vivant character.
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