This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) Edit Now. Judith Weir's opera is a story about Tina and how her life dramatically changes course overnight; it is a story about fate and fortune. . The opera reworks a Sicilian folktale as a contemporary parable. So I arrived at Miss Fortune without any real idea of what I was going to get. At least that was Weirs intention to be relevant and in touch. Composed 2000. So, turning convention on its head, weve a fatalistic riches-to-rags tale transposed from a Sicilian original and relocated in time and place to take account of the financial ills and social unrest of the here and now. See the CVs for Guildhall School Final Year Production Arts students. was born into a Scottish family in 1954, but grew up near London. Biography Weir was born in Cambridge, England, to Scottish parents. SELECTED WORKS BY shows" JUDITH WEIR "Weir is a creature of the theatre and it FINANCIAL TIMES. Miss Fortune . Yn aml mae . a reference to Mozart's great scene where people on a beach are menaced by a sea monster. WEI. Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music. Christos Maltezos* Silly and naive. Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. Get discounted access to unmissable art, See more art, music, film and theatre for less, Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. Iza Fordham A strong ROH2 schedule includes premieres by Scott Walker, Huw Watkins and Stuart MacRae in a season that will offer "fresh and interesting angles on the art form". Miss Fortune | Judith Weir - Wise Music Classical Tell us a little about the opera. A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. Sad to say but Judith Weir's sixth opera is an embarrassment. Violetta Suvini* In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queens Music, in succession to Sir Peter Maxwell Davies. Miss Fortune in name and deed. Plan your journey and find more route information in Your Visit or book your car parking space in advance. Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. Julian Hepple. Miss Fortune Operas. In 2007, she was the third recipient of the Queen's Medal for Music. Biography. The most recent opera is Miss Fortune, premiered at . She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. In 2008, as I began writing, I walked past a sandwich board bearing the headline: "Blind panic as shares crash." Hui Pang Lee Weir, Judith. In fact, I think you should go. Fate - Andrew Watts. Meet the Artist - Judith Weir, composer - The Cross-Eyed Pianist Honours for her work include the Critics Circle, South Bank Show, Ivor Novello and Elise L Stoeger awards, a CBE and The Queens Medal for Music. Joana Praa* Guildhall Opera Double Bill | Barbican After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. Kyra Coppini, Production Sound Engineers But I personally have been feeling thoroughly revived after. The much-publicised breakdancers of Chen Shi-Zengs efficient but actually rudimentary staging only serve to highlight how irrelevant Weirs musical language is to her conception. Yes, Tom Pye's design was beautiful, but stylised beyond the world of the circumstantial it could have accommodated any opera from Parsifal to Madama Butterfly. Iben Bering Srensen Judith Weir. Judith Weir CBE HonFRSE (born 11 May 1954)[1] is a British composer serving as Master of the King's Music. What drew you to composition? Phil Sizer, Staff Production Manager Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Both portrayals were wonderfully convincing musically and dramatically, each singer having an easy stage presence and voices that hold the ear with roundness of tone and crystal-clear diction. When her life's course turns from bad to worse, she makes a date with Fate. To book tickets visit:. . World premiere at the Bregenz Festival on 21st July 2011 at the Festspielhaus, Bregenz, directed by Chen Shi-Zheng, with the Prague Philharmonic Chorus (director Lukas Vasilek) and the Vienna Symphony Orchestra, conducted by Paul Daniel. . Applying that usage, it has had many "adventures" over the years and the discard pile is high. Whether were in the initial scene of the casting of our heroines horoscope, the various pieces of mayhem that envelop her or the poetic aubade sung by kebab-shop owner Hassan: the music is overlaid by urgent stridency. Above all, I felt justified in having written the opera in the first place. Two outstanding performances by young singers light up a splendidly crafted revival of Caurier and Leiser's colourful production. Please note you may need to update your password. Florian Panzieri as the kebab seller Hassan impressed with his clear tenor and mezzo-soprano Laura Fleur as Donna brought verisimilitude to her scenes at the laundrette. Firstly, when disaster strikes the family, our heroine leaves home for the mean streets of her own accord (in the original, she is cast out by her superstitious mother). So, turning convention on its head, weve a fatalistic riches-to-rags tale transposed from a Sicilian original and relocated in time and place to take account of the financial ills and social unrest of the here and now. Noah Stewart on Miss Fortune - Interview - YouTube If you dont harbour too many expectations of a thought-provoking story, its worth going to see for the staging alone. Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. Photograph: Tristram Kenton, as it a plane, a boat or a train? Silk Street At the time, I was writing a chorus number called We Didn't See It Coming. Simon, a wealthy young man Jack Holton (28 Feb & 4 Mar), Jonathan Eyers (2 & 7 Mar), Chorus of sweatshop workers and party guests: What a waste of talent and resources. In some ways I feel I've seen the piece for the first time, in a staging (by Martin Lloyd-Evans) which very closely expressed my intentions when I first imagined it. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queen's Music, in succession to Sir Peter Maxwell Davies. It was a co-production with the Royal Opera, Covent Garden, London, and was written in English. Silver Tassie Operas. Voices & Orchestra. Dominic Wheeler conductorMartin Lloyd-Evans directorAnna Reid designerAnthony Doran lighting designerJoseph Beesley assistant conductorRachel Wise assistant director/movement, Lucy England Segomotso Shupinyaneng (28 Feb & 4 Mar), Ellie Neate (2 & 7 Mar) Silk Street Theatre, Guildhall School of Music & Drama, London; Monday 28th February 2022. As far as one could tell, Paul Daniel conducted a good performance. Opera on 3 Judith Weir's Miss Fortune. And yet the characters are archetypes who grovel in the dirt of clich. The absence of an intermediary sparring partner in the shape of a librettist may have made it difficult for the right person to say to Weir "more here, less there". Miku Yasukawa And the greatest irony of all Miss Fortune wins the lottery. Judith Weir. Fate Kieron-Connor Valentine By contrast, the premiere production (as often happens) seemed to be aiming at a left-field reimagining of a piece which no-one had yet seen. About Judith Weir: British composer (1954-) | Biography, Discography She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Luna De Mol, Violin II The upper floor of The Telephones split staging neatly morphed into Miss Fortunes roof top balcony where Harrison and Holyland made their mark as the nouveau riche parents of Tina. [4] She received the Lincoln Center's Stoeger Prize in 1997, the South Bank Show music award in 2001 and the Incorporated Society of Musicians' Distinguished Musician Award in 2010. From Wikipedia, the free encyclopedia. Queasy chromatic scales rising and falling in the trombones is as close as we get to the dark happenings on the street. In London, the tricky proposition of portraying a chaotic cloud has been undertaken by Soul Mavericks, breakdancers with an amazing ability to perform hundreds of complex patterns, often in mid-air. Judith Weir - Delphian Records Austria, the Netherlands, Belgium and the USA. Justin Anderson Noah Stewart on Miss Fortune - Interview 9,070 views Feb 22, 2012 American tenor Noah Stewart on his Royal Opera House debut role in Judith Weir's Miss Fortune. Memoirs of an Accidental Film Artist. This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) Miss Fortune | The Theatre Reviewer Last year's Bregenz staging, the work's world premiere, was an opportunity to take strong action. ), full of truisms and clunky metaphors" and "about as streetwise as a visitor from Venus". Ivelina Ivanova She teaches at Cardiff University. Originally intended as a curtain-raiser for Menottis The Medium, the worksalternative title,LAmour trois, refers to the rival claims of a telephone that incessantly interrupts Bens attempts to propose marriage to Lucy before he catches his train. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. The subject of this piece was inspired by the Barbican building itself she describes it as 'an imaginary excavation of the Barbican Centre, burrowing through 2,500 years of historical rubble'. The work was made in co-operation with Margaret Williams. Judith Weir - Wikipedia

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